April 2011
There it is our homeland, my dear!
Sarah Doyle Gallery, Brown University, RI
March 2011
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Valerie Bert The Story of Richard O 1Hunt-Cavanagh Gallery, Providence College, RI
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June-July 2010
The Multicultural in Our Time
Gyeonggi Museum of Modern Art, Ansan, South Korea
July - Aug 2009
Intervals
Gallery Factory, Seoul, South Korea (solo)
May 2009
Haunted Memories
Gallery Korea, Korean Cultural Service, New York
Oct. 2008 - Jan. 2009
Movement 움직임
Smith College Art Museum, Northampton, MA (catalogue)
Nov. 2008
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Oresman Gallery, Smith College, Northampton, MA (Solo)
RECENT WRITINGS
“The Politics of Curating “Contemporary Korean Art” for Audience Abroad,”
mobile 9 samsung e2121youngminmoon.net/atwood-descargar-wathsap-para-blackberry-gratis/ mobile 9 real football 2012 gamesyoungminmoon.net/relacement-callas-e-onassis-megavideo/ wwwshemale imagecPpt in Contemporary Asian Art: A Critical Reader, Melissa Chiu and Benjamin
Genocchio, eds., MIT Press (forthcoming spring 2011).
“Geography of Disintegration: At the Ruins of Militarized Modernity,"
Geopolitics of the Visible:
Seoul, 2009.
"The Illegal Lives: Art within a Community of Others,"
Volume 23 Number 1 (July 2009).
“The Composition of Social Memories,” in Activating Korea: Tides of
Collective Action, exhibition catalogue, co-published by Govett-Brewster
Gallery, New Plymouth, New Zealand, and Insa Art Space, Seoul, Korea,
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