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“The Politics of Curating “Contemporary Korean Art” for Audience Abroad,”

in Contemporary Asian Art: A Critical Reader, Melissa Chiu and Benjamin

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“Geography of Disintegration: At the Ruins of Militarized Modernity,"

Geopolitics of the Visible: Photography of Che One-Joon, Noonbit Press,

Seoul, 2009.

"The Illegal Lives: Art within a Community of Others," Rethinking Marxism,

Volume 23 Number 1 (July 2009).

“The Composition of Social Memories,” in Activating Korea: Tides of

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2008.