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There it is our homeland, my dear!
Sarah Doyle Gallery, Brown University, RI
March 2011
Intervals
Hunt-Cavanagh Gallery, Providence College, RI
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Gyeonggi Museum of Modern Art, Ansan, South Korea
July - Aug 2009
Intervals
Gallery Factory, Seoul, South Korea (solo)
May 2009
Haunted Memories
Gallery Korea, Korean Cultural Service, New York
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igo8 singapore mapigo8 navteq q1 2012Smith College Art Museum, Northampton, MA (catalogue)
Nov. 2008
Speech Morsels
Oresman Gallery, Smith College, Northampton, MA (Solo)
RECENT WRITINGS
“The Politics of Curating “Contemporary Korean Art” for Audience Abroad,”
in Contemporary Asian Art: A Critical Reader, Melissa Chiu and Benjamin
Genocchio, eds., MIT Press (forthcoming spring 2011).
“Geography of Disintegration: At the Ruins of Militarized Modernity,"
Geopolitics of the Visible: Photography of Che One-Joon, Noonbit Press,
Seoul, 2009.
"The Illegal Lives: Art within a Community of Others," Rethinking Marxism,
Volume 23 Number 1 (July 2009).
“The Composition of Social Memories,” in Activating Korea: Tides of
Collective Action, exhibition catalogue, co-published by Govett-Brewster
Gallery, New Plymouth, New Zealand, and Insa Art Space, Seoul, Korea,
2008.