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There it is our homeland, my dear!

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March 2011

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Gallery Factory, Seoul, South Korea (solo)

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Gallery Korea, Korean Cultural Service, New York

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“The Politics of Curating “Contemporary Korean Art” for Audience Abroad,”

in Contemporary Asian Art: A Critical Reader, Melissa Chiu and Benjamin

Genocchio, eds., MIT Press (forthcoming spring 2011).

“Geography of Disintegration: At the Ruins of Militarized Modernity,"

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“The Composition of Social Memories,” in Activating Korea: Tides of

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